now: "An artist is enslaved by time only if the
time is controlled by someone or something other than himself.
the artist sinks into the time stream the more it becomes oblivion;
because of this, he must remain close to the temporal surfaces.
Many would like to forget time altogether, because it conceals
the "death principle" (every authentic artist knows this).
Floating in this temporal river are the remnants of art history,
yet the "present" cannot support the cultures of
Europe, or even the archaic or primitive civilizations; it
explore the pre-and post-historic mind; it must go into the
places where remote futures meet remote pasts." R.
Sedimentation of The Mind: Earth Projects. 1968."
artist appears: "La Californie had a fence around it
and watchmen whose job it was to say no one was home, according
to Hélène Parmelin. Those who got by were often told inside that
the master was resting, working, or out---only to have him dash
out on hearing a friendly voice and shout welcome!" P.
Cabanne, Pablo Picasso: His Life and Times. New York,
that: L. Slater, "Dr. Daedadus." Harper's
Magazine. July 2001. "If
there is a thought of the hand or a hand of thought, as Heidegger
gives us to think, it is not of the order of conceptual grasping.
Rather this thought of the hand belongs to the essence of the gift,
of a giving that would give, if this is possible, without taking
hold of anything." J. Derrida, "Geschlecht II:
Heidegger's Hand." In, Deconstruction and Philosophy:
The Texts of Jacques Derrida. Chicago, IL., 1987. p.169.
Cass, Dangerous Women: Warriors. Grannies and Geishas of the Ming.
Lanham, MD., 1999. "Recluses in Japan are often shabby,
picturesque individuals who are called yama-otoko, or mountain men.
The average Japanese considered yama-otoko somewhat uncivilized, often
insane, and sometimes dangerous. Yama-otoko had strange companions
such as she-wolves with human heads, monsters, freaks, and other creatures
antagonistic to human beings." N. Kiej'e, Japanese
Grostesqueries. Rutland, VT., 1973.
the mind: "In at least some cases the experience of
a supernatural being in the natural world causes insanity. That
is, a creature from another realm is found in the natural world,
and the shock of it causes illness of the mind. A plausible explanation
for this is that the categorical confusion of realms is so 'unthinkable'
as to cause the thinking or conscious mind to temporarily 'disappear.'
The object is too powerful for a rational mind to contain." M.M.
Halpin, "Investigating the Goblin Universe." In, M.M.
Halpin and M.M. Ames, eds, Manlike Monsters on Trial.
Vancouver, Canada, 1980. p.18.<