1911-1912, Pablo Picasso and Georges Braque intensely collaborated
At an exhibition that juxtaposed the artists' cubist paintings, it was Braque's image of a mountain and the perils of the climb that captured my imagination.
Picasso and Braque during those years could hardly tell each other's work apart. But the market ruled and the metaphorical rope was cut: knowing which one was made by who raised their price—until only the mountain remained.
While Picasso worked in a whirlwind of demonic despair, Braque's paintings were "filled with suggestions of opening doors and crossing thresholds and bursts of light."
10 million years ago sandstone cliffs rose from the fiery furnace below as gods and demons, nameless as the artists who fasted for a vision, "dangerous and transformative," to paint on the juts and planes of the mountain's rugose walls.