The more I looked: C.
Juliet, Giacometti. New
York: Universe Books, 1986.
is 'ein Wesen der Ferne’: W. Barrett, Time
of Need: Forms
of Imagination in the Twentieth Century. New York: Harper & Row,
What engages Heidegger: J.
Sallis, Stone. Bloomington: Indiana University Press, 1994.
changed: H. Morphy, “Landscape
and the Reproduction of the Ancestral Past.” In, E. Hirsh & M.
O’Hanlon, Editors, The Anthropology of Landscape.
Oxford: Oxford University Press, 1995.
At an exhibition: "Picasso
and Braque: The Cubist Experiment, 1910–12."
Santa Barbara Museum of Art, September 17, 2011 – January 8,
2012. Picasso and Braque
met in 1908, and collaborated until 1914, when Braque marched
off to World War I. But
1911-12 was a particularly intense period.
Roberts, "Alaska and Personal Style: Some Notes in Search
of an Aesthetic." M.C. Tobias and H. Drasdo, Editors, The
Woodstock: The Overlook Press, 1997.
filled with suggestions: M.
Brenson, ''Picasso and Braque: Pioneering Cubism.'' New York
Times, Sept 22,
transformative: "Ultimately, feminist archaeology should
be dangerous and transformative, questioning fixed disciplinary
arrangements, including the basis of knowledge itself." K.A. Hays-Gilpin,
Ambiguous Images: Gender and Rock Art. Walnut Creek, CA: Altamira
and symbolic: A.
Marshak, The Roots of Civilization: The Cognitive Beginnings
of Man's First
and Notation. New York: McGraw- Hill, 1972.
the stories, characters,
processes: Ibid. "Certainly,
shamans say they acquire their knowledge directly from spirits, but
grow up in cultures where shamanic visions are stored in myths."
J. Narby, The Cosmic Serpent: DNA and the Origins of Knowledge.
New York: J.P. Tarcher/Putnam, 1998.
the idea of immutable
biological gender: K.A.
Hays-Gilpin, Ambiguous Images: Gender and Rock Art. Walnut Creek:
Altamira Press, 2004.
we live in a world: J.Lehrer, “Trials
and Error—Why Science is Failing
us.” Wired Magazine, January, 2012.
the cave as womb: Womb
Rock is "a fertility shrine in the Providence Mountains of California's
Mojave Desert...one of several large boulders fallen from a cliff
and sculpted into organic shapes by erosion...It is decorated with
many petroglyphs, some of which resemble male and female genitalia."
There is "a Chemehuevi myth about a Woman of the Cave who became
the rays of
sun....Shamans may have passed through the birth canal of Womb Rock
as part of a seasonal effort to renew the world." D. Slifer, The
Serpent and the Sacred Fire: Fertility Images in Southwest Rock Art.
Santa Fe: Museum of New Mexico Press, 2000.
help us understand: K.A.
Hays-Gilpin, op .cit.
how shall we think
of time: W. Bronk. From, "We Want the Mark of Time."
never see: T.
Santōka. The entire poem is: "falling away mountains
I'll never see again." In, B. Watson, Translator, For
All My Walking.
New York: Columbia University Press, 2003. Santōka (1882-1940),
an alcoholic who "failed" at everything except making poems,
lived on the road for most of his life.
Speaking of Austrailan Aboriginal art, Robert Lawlor
said: "Their traditional art consists of geometric patterns, purely
geometric patterns. In these they could read vast amounts of information
about plants, animals, landscape, and Dreamtime stories." According
to one of Lawlor's informants, "'We had to put the animals there
so white people would know that this is lizard
dreaming place or that this other is kangaroo dreaming country.'" "Dreaming
the Beginning: An Interview with Robert Lawlor." Parabola,
visual hallucination: D.
Lewis Williams and S. Challis, Deciphering Ancient Minds: The
Mystery of San Bushman Rock Art. New York: Thames & Hudson, 2011.
the integral characteristics:
D. Ley and
R. Cybriwsky, "Urban Graffiti as Territorial Markers." Annals
of the Association of American Geographers. December, 1974. Parentheses
around 'kings' are mine.
While there are
disagreements: .” T.M. Green, “Archaeological Evidence for
Post-Contact Native Religion: The Chumash Land of the Dead.” Journal
of California and Great Basin Anthropology, 23(2) 2001.
For example: From, "Willow."
In, A. Garner, Collected Folk Tales. London: HarperCollins
Children's Books, 2011.i
the burr: J.
Beach. From, “Goathead.” In MS.