It seemed clear: (Rapaport,
1982).
Giorgio Vasari: (Wittkower,
1963).
voices from: J.
Weishaus. From, "Two Poems from Santa Fe Baldy."
Hox genes: (Angier,
1993).
The man: (Merton,
1966).
P.B.: (Broderick,
1986/87).
mind steamed: J.
Weishaus, "Watching."
several physicists: (Wolf,
1990).
the first effect: Aristole.
(Corbin, 1975).
Their belts: (Underhill,
1976).
A Korean's: J.
Weishaus, "Mihiko no Takumi."
halfway up: J. Weishaus, "Passing Him."
all the chemical: M.J.
Rees, "Our Universe and Others: The Limits of Space, Time and
Physics." (Allen, 1989).
anyone who: (Beebe,
1992).
If I could disappear: "Alongside
these modes of disappearance, the mechanical (cloning), organic (death),
and ritual (game) forms, why not conceive of a more lively way of disappearing?...One
agrees to disappear, but like nomads, in order to reppear somewhere
else, where one is not expected." S. Lotringer, "Forget Baudrillard." (Baudrillard,
1987).
because: (Beebe,1992).
whereas: (Lévinas,1992).
Mind's site: J. Weishaus "Maybe
a Rabbi/Roshi." Title is from a postcard from the poet David Meltzer.
the moment: (Singer,
1972).
important: G. Deleuze.
(Deleuze, 1977)
toward getting: J.
Weishaus, "Gatha for Margot."
experiments: (Focillon,
1948).
the steam engine: (Rolt,
1966).
Commissioners: Letter
from Nadine Stafford, Grants Coordinator, New Mexico Arts Division.
September 28, 1988.
opened atop: J.
Weishaus, "Just Trees." Rowe Mesa, Santa Fe National Forest.
the En-Sof: (Poncé,
1973).
Now: E. Blum. From, "Now,
What Shall I do?"
beauty so complete: (Silver,
1993).
Poet whose imagination: J.
Weishaus, "Shekina." For Etta Blum.
the dwelling: (Corbin,
1978).
meet the new: (Furlong,1986).
humans belong: J.
Weishaus, "Poem for Pets."
as the rain: M. Perloff.
She addressing John Cage's "Lecture on the Weather." (Perloff,
1991).
How did I: J. Weishaus, "Love
Knot."
At a reading: D.
Shapiro, "Notes on the Poems of a Painter: The De-Platonization
of Poetry." (Palmer, 1983).
the whole family: E.R.
Straus, "The Upright Posture." (Natanson, 1969).
No, I am not: J. Tryford.
From, "No, I Am Not Frank Sinatra."
Roland Barthes: J.
G. Kennedy, "Roland Barthes, and The End of Writing." (Henderson,
1982).
divided as the dew: W.C.
Williams. From, Paterson, Book One.
On each of: (Corbin,
1975).
Normally: (Leiris,
1987).
off a cliff: "Among
the Evenki (Tungus), there were cliffs (bugady) that served
as clan sanctuaries at which the most important social activities
and public
clan-worship were conducted ...In Siberian ethnography generally,
cliffs are held to be the dwellings of totemic divinities." (Martynov,
1991).
time hangs: J. Weishaus, "Friday
the 13th."
that naked: (Jungk,
1961).
The Hippoean: The
Hippoeans were first cousins to the people Henri Michaux calls the
Hivinizikis. "The Hiviniziki lives on horseback. He will wear
out three horses in a day. Always astraddle, always galloping. There
you have the Hiviniziki."
the fool: (Willeford,
1969).
In July, 1992:
HURRICANE ANDREW FREES HUNDREDS OF LAB MONKEYS.
August 28, 1992. Associated Press.
Miami-
Dozens of monkeys freed from a laboratory by Hurricane
Andrew roamed the streets, worrying people who feared they carried
AIDS. A lab official says there is no threat to humans.
Two baboons also were loose in a federal prison compound.
It wasn't clear where they came from...
"A lot of these monkeys are crucial for AIDS research.
Without these monkeys. AIDS research will be severly hindered," Dr.
Joseph Wagner (Director of Veterinary Resource, University of Miami's
primate research laboratory. Perrine, FL.) said.
Soen's deep: (Besserman
and Steger, 1992).
Tiny towns: J. Weishaus, "Change
Trains at Ofuna."
his 'monsters': Brassaï, Picasso
and Company. Garden City, NY., 1964. p.57.
And sometimes: R.
Juarroz, "Third Vertical Poetry."
the ever-burning light: (Shulman,
1971).