Through a window whose only opposition is an
exhibition in which calculated pacing
the energies reasoning with Pure Art, the old dangers
dry timbered signatures initating styles branching together continues.
allow for an art of imitations,
crystallized paintings in opposition
to stones' smooth dark industry,
a system of electronic windows
whose impliments are a process
in which natural materials continue a style
of stenciling the contours of shadows...
allow the oldest stones their dark implements, locating these semiconductors
of the gods huddled in shadows and storing their impurities in
the coves of paintings.
the dangers of transformation,
museums created a group of people, the oldest
rock specialists, ostensibly Cro-Magnon, who store
the purity of their tools as signatures, which curators
point to as paleolithic gods.