References: An Anatomy of Anchors

References and Index

A /B/C/ D/ E/F/G/ H/I/J/L/ M/N/O/P/ Q/R/S/T/ U/W

Number	Citation	Index	Type
[1]	Adaptive Path, Official home page. designed by Douglas Bowman of Stopdesign. 2004 <http://www.adaptivepath.com> (commentary)	Moderate Nondistinguished Selective Embedded Connotative Dense navigation ------ Bankrate FirstGov Doonesbury	Efferent
[2]	A List Apart. Official home page. 2004. <http://www.alistapart.com/> (commentary)	Moderate Embedded Connotative Dense navigation Sparse ---- Bankrate Six Sex Scenes Afterimage PeopleSoft USA TODAY	Efferent
[3]	Bankrate Official home page. 2004. <http://www.bankrate.com/brm/default.asp> (commentary)	Dense navigation Layer ---- Adaptive Path brandchannel Doonesbury IDEO Kidbuilding PeopleSoft USA TODAY	Efferent
[4]	BBC Official home page. 2004 <http://www.bbc.co.uk> (commentary)	Graphics Icons Symbols Menus Multiple ---- Bankrate Doonesbury Earthtrends FirstGov IDEO Kidbuilding Marble Springs Royal Institute for Deaf and Blind Children USA TODAY	Efferent
[5]	brandchannel.com Official home page. 2004 <http://www.brandchannel.com/start.asp?fa_id=203> (commentary)	Selective animation Graphics Embedded ---- Adaptive Path Bankrate IDEO Kidbuilding PeopleSoft USA TODAY	Efferent
[6]	Cooperstown Collection, 2004. Axis360. <http://www.cooperstownstyle.com/main1.htm> (commentary)	Selective animation --- Doonesbury Earthtrends Hummer I'm Simply Saying	Efferent
[7]	Coverly, M.D. Afterimage. First published in Salt River Review 2001. <http://califia.hispeed.com/Afterimage/index.html> (commentary)	Animated Graphics Embedded Menus Connotative Denotative Sparse ---- Adaptive Path Ferris Wheels The Rainbow Factory	Aesthetic
[8]	Craven, J. In the Changing Room. In Word Circuits Gallery. 1998, 2001. <http://www.wordcircuits.com/gallery/changing/> (commentary)	Modest Icons Symbols Embedded Connotative --- Afterimage Charmin' Cleary Ferris Wheels Hummer Poems That Go Archive Reach Reagan Library The Pines at Walden Pond --- anchorthoughts	Aesthetic
[9]	Dane. Him. 2000. In Eastgate Reading Room. <http://www.eastgate.com/ReadingRoom.html> (commentary)	Modest Icons Symbols Menus Ambiguous Random Sparse Single --- Charmin' Cleary Hummer Pax War Games--Catch the LandMine!!	Aesthetic
[10]	Dickey, W. Zenobia, Queen of Palmyria. 1995. (commentary)	Nondistinguished Graphic portions Embedded Connotative Sparse --- Fuddruckers	Aesthetic
[11]	Dinsmore, C. High Crimson. First published in Riding the Meridian. 2000. Dhtml version: http://www.studiocleo.com/projects/meridian/crimson/crimson1DH.html Flash [FL4] version [with rather cinematic intro]: http://www.studiocleo.com/projects/meridian/crimson/flintro.html without intro: http://www.studiocleo.com/projects/meridian/crimson/crimson1.html commentary)	Striking Graphics Icons Texts Connotative Denotative Sparse Multiple --- Hummer Penetration --- look montage pun	Aesthetic
[12]	Earthtrends. Official Home Page. 2004. <http://earthtrends.wri.org/> (commentary)	Nondistinguished Selective animation Menus Dense navigation --- Bankrate Cooperstown Doonesbury Hummer Kidbuilding Nevada Division of Environmental Protection Poems That Go Archive	Aesthetic
[13]	Eastgate Systems, Inc. Storyspace. <http://www.eastgate.com/Storyspace.html> (commentary)	Selective Maps Denotative --- Afternoon Notes Toward Absolute Zero Patchwork Girl Samplers True North Victory Garden --- card cheating node	Tool not used in examples
[14]	Eisen, A. Six Sex Scenes. First published in Alt X online network. 1996. <http://www.geocities.com/penelope4515/six_sex_scenes/index.htm> (commentary)	Moderate Graphics Menus --- A List Apart Same Day Test Penetration	Aesthetic
[15]	Eisen, A. What Fits. 2000. In Eastgate Reading Room. <http://eastgate.com/ReadingRoom/WhatFits/>	Menus --- Six sex scenes	Aesthetic--not used in samples
[16]	Falco, E. Charmin' Cleary. 2000. In Eastgate Reading Room. <http://www.eastgate.com/Charmin/Welcome.html> (commentary)	Nondistinguished Embedded Dense content Single --- Afternoon Firefly Reach	Aesthetic
[17]	Falco, E. Sea Island. Eastgate Quarterly Review of Hypertext 2.1. 1998.	Denotative	Aesthetic--Not used in examples
[18]	FirstGov: The U. S. Government's Official Web Portal. <http://www.FirstGov.gov> (commentary) (Note: this site is variously referred to as FirstGov.gov and FirstGov. We have referred to it as FirstGov.)	Moderate Symbols Menus Denotative Multiple Methodology --- Bankrate BBC IDEO Nevada Division of Environmental Protection Royal Institute for Deaf and Blind Children	Efferent
[19]	Fuddruckers: World's Greatest Hamburgers. Official home page 2004. <http://www.Fuddruckers.com/fudds-home.html> (commentary)	Nondistinguished Selective animation Graphic portions Ambiguous Connotative Multiple Methodology --- FirstGov Garnier Fructis Royal Institute for Deaf and Blind Children - -- standard	Efferent
[20]	Garnier Fructis Official home page, 2004. <http://www.garnierfructis.com/> (commentary)	Selective animation Graphic portions Maps --- Earthtrends Fuddruckers IDEO The Pines at Walden Pond The Rainbow Factory Saturn --- montage	Efferent
[21] 21	Google Offical home page, 2004. <http://www.google.com>	Icons Uniform	Efferent--Used as example only
[22] 22	Howard, P. The Rainbow Factory. <http://www.hphoward.demon.co.uk/flash/rainbow.html> (commentary)	Animated Striking Ambiguous --- I'm Simply Saying Garnier Fructis Questacon Saturn	Aesthetic
[23] 23	Hummer. 2003 cached site from Communication Arts Interactive Awards 2003 <http://www.commarts.com/CA/interactive/cai02/> and official home site <http://www.hummer.com> (commentary)	Icons Menus --- Cooperstown Earthtrends	Efferent
[24] 24	IDEO Web design company home page. 2004. <http://www.ideo.com/ideo.asp> (commentary)	Graphic portions Maps Layer --- Bankrate brandchannel Kidbuilding PeopleSoft The Pines at Walden Pond The Rainbow Factory	Efferent
[25] 25	Inglis, G. Same Day Test . <http://www.bareword.com/sdt/> (commentary)	Moderate Menus --- Six Sex Scenes Joe's Heartbeat in Budapest --- anchor thoughts not anchors	Aesthetic
[26] 26	Jackson, S. Patchwork Girl. Watertown, MA: Eastgate Systems, 1997. (commentary)	Selective Graphic portions Maps --- Samplers Storyspace --- montage	Aesthetic
[27]	Joyce, M. afternoon, a story, Watertown, MA: Eastgate Systems, 1990. (commentary).	Nondistinguished Selective --- Notes Toward Absolute Zero Storyspace Victory Garden Zenobia, Queen of Palmyria --- anchor thoughts cheating	Aesthetic
[28]	Joyce, M. Reach, 1999, In Iowa Review Web. <http://www.uiowa.edu/%7Eiareview/tirweb/hypermedia/michael_joyce/Reach.html> (commentary)	Nondistinguished Embedded Dense content --- Charmin' Cleary Firefly In The Changing Room	Aesthetic
[29]	Joyce, M. Twelve Blue, 1999. Post Modern Culture, Eastgate Systems. <http://www.eastgate.com/TwelveBlue/>	Definition	Not used in examples
[30]	Kendall, R. Penetration. 2000. In Eastgate Reading Room. <http://www.eastgate.com/Penetration/Welcome.html> (commentary)	Graphics Texts Menus --- Six Sex Scenes The Ballad of Sand and Harry Soot	Aesthetic
[31]	Kidbuilding. 2004. <http://www.kidbuilding.org/flash.html> (commentary)	Icons Maps --- Bankrate brandchannel Hummer IDEO PeopleSoft Questacon	Efferent
[32]	Larsen, D. Disappearing Rain. 2001. <http://www.deenalarsen.net/rain/>	Menus --- Sand Loves	Not used as example
[33]	Larsen, D. Ferris Wheels. 1999. In Iowa Review Web, 1999. <http://www.uiowa.edu/%7Eiareview/tirweb/hypermedia/deena_larsen/index.htm> (commentary)	Graphics Icons Maps Denotative --- Afterimage Garnier Fructis In The Changing Room Samplers Sand Loves Royal Institute for Deaf and Blind Children	Aesthetic
[34]	Larsen, D. Firefly, 2002. In Poems that Go, Fall 2002. <http://www.poemsthatgo.com /gallery/fall2002/Firefly/index.html> (commentary)	Icons Embedded Layer --- Charmin' Cleary Diagrams Series 5 Reach	Aesthetic
[35]	Larsen, D. I'm Simply Saying, First published in InFlect. 2004. <http://www.deenalarsen.net/simply/> (commentary)	Nondistinguished Selective animation Striking Texts Embedded Dense content Primary --- _][ad][Dressed in a Skin C.ode Cooperstown Doonesbury What We Will	Aesthetic
[36]	Larsen, D. Marble Springs, Watertown, MA: Eastgate Systems, 1993. (commentary)	Nondistinguished Graphics Icons Symbols Texts Maps Connotative Denotative --- 25 Ways to Close a Photograph Afterimage Kidbuilding The Rainbow Factory Questacon	Aesthetic
[37]	Larsen, D. Samplers: Nine Vicious Little Hypertexts. Watertown, MA: Eastgate Systems, 1998. (commentary)	Selective Graphic portions Maps Denotative Dense content --- Garnier Fructis Notes Toward Absolute Zero Lexia to Perplexia Storyspace	Aesthetic
[38]	Larsen, D. Sand Loves, 1999. First published in Eastgate Reading Room. <http://www.deenalarsen.net/sand/> (commentary)	Texts Connotative Denotative Multiple --- Afterimage Ferris Wheels Garnier Fructis Reagan Library Samplers	Aesthetic
[39]	Larsen, D. The Pines at Walden Pond, 2000. First published in Cauldron and Net, 2000. <http://www.deenalarsen.net/pines/> (commentary)	Modest Embedded Maps Connotative --- Ferris Wheels Garnier Fructis In The Changing Room Sand Loves	Aesthetic
[40] **	Ley, J. War Games--Catch The LandMine!!. 2001. <http://www.heelstone.com/banner/> (commentary) First published in BeeHive Volume 4: Number 2.	Animated Menus Random Sparse Primary Methodology --- Doonesbury FirstGov Pax Business popup: distraction Reagan Library What We Will --- play reading forms	Aesthetic
[41]	McLaughlin, T. 25 Ways to Close a Photograph. <http://www.nwhq.net/tim/tim_25.html> (commentary)	Graphics Maps Sparse Single Definition --- Marble Springs Pax Poems That Go Archive	Aesthetic
[42]	McLaughlin, T. Notes Toward Absolute Zero. Watertown, MA: Eastgate Systems, 1995. (commentary)	Selective animation Graphics --- Storyspace Victory Garden	Aesthetic
[43]	Memmott, T. Lexia to Perplexia. 2000. In Alt X. <http://www.altx.com/ebr/ebr11/11mem/> (commentary)	Nondistinguished Selective animation Graphics Symbols Maps Inconsistent --- Samplers _][ad][Dressed in a Skin C.ode Nevada Division of Environmental Protection --- montage	Aesthetic
[44]	[mez] [breeze]. _][ad][Dressed in a Skin C.ode. 2001. <http://www.cddc.vt.edu/host/netwurker/> (commentary)	Nondistinguished Selective animation Graphics Icons Layer Inconsistent --- Firefly Lexia to Perplexia	Aesthetic
[45]	Morrissey, J. The Jew's Daughter. <http://www.thejewsdaughter.com/> (commentary)	Moderate Texts Embedded Connotative Sparse Single --- 25 Ways to Close a Photograph A List Apart The Unknown	Aesthetic
[46]	Moulthrop, S. Pax. First published in Iowa Review Web. 2003. <http://iat.ubalt.edu/moulthrop/hypertexts/Pax/> (commentary)	Selective animation Icons Layer --- Him War Games--Catch the LandMine!! --- playful	Aesthetic
[47]	Moulthrop, S. Reagan Library. January 1999. <http://iat.ubalt.edu/moulthrop/hypertexts/rl/> (commentary)	Modest Selective animation Graphics Maps Connotative Random Methodology --- Afterimage High Crimson The Unknown What We Will --- play 2 playful	Aesthetic
[48]	Moulthrop, S. Victory Garden. Watertown, MA: Eastgate Systems, 1991. (commentary)	Selective Maps --- Notes Toward Absolute Zero Storyspace --- pun	Aesthetic
[49]	Nestvold, R. Joe's Heartbeat in Budapest. In Lit-Arts.Net 2000. <http://www.lit-arts.net/JHIB/> (commentary)	Moderate Texts Menus Denotative Sparse Single --- Six Sex Scenes Same Day Test --- anchor thoughts	Aesthetic
[50]	Nevada, Division of Environmental Protection--Official Home Page. 2004. <http://ndep.nv.gov/> (commentary)	Selective animation Texts Menus Denotative Layer Primary --- Adaptive Path Cooperstown FirstGov Hummer PeopleSoft Questacon Royal Institute for Deaf and Blind Children	Efferent
[51]	Orbitz. Catch the Taxi. Web advertisement on the Washington Post. Jan 09, 2004. (commentary)	Business popups--click here	Efferent
[52]	Panicware Incorporated. Popup Stopper: Online Privacy and Anti Spam Software Downloads. 2004 <http://www.panicware.com>	Icons --- Business popups--distraction	Efferent--not used as example
[53]	PeopleSoft Official Home Page. 2004. <http://www.peoplesoft.com/corp/en/public_index.jsp> (commentary)	Selective animation Denotative Sparse --- A List Apart Bankrate brandchannel IDEO Kidbuilding Questacon Royal Institute for Deaf and Blind Children	Efferent
[54]	Poems That Go Archives. 2004 <http://www.Poemsthatgo.com/gallery/index.htm> (commentary)	Selective animation Symbols Methodology --- Earthtrends Saturn	Efferent
[55]	Questacon: the National Science and Technology Centre. Australian Government. 2004. <http://www.questacon.edu.au/index_flash.asp> (commentary)	Selective animation Embedded Layer Sparse Multiple --- A List Apart BBC Hummer Kidbuilding Nevada Division of Environmental Protection PeopleSoft Royal Institute for Deaf and Blind Children The Rainbow Factory	Efferent
[56]	Rettberg, S., Gillespie, W., and Stratton, D. The Unknown, 1998 <http://www.unknownhypertext.com/> (commentary)	Moderate Modest Texts Embedded Connotative Dense content Multiple --- High Crimson The Pines at Walden Pond Reagan Library Wikipedia	Aesthetic
[57]	Rosenberg, J. Diagrams Series 5. 1997-1999. <http://www.well.com/user/jer/d5/d5_Intro.html> (commentary)	Nondistinguished Layer Single --- Business popups: banner ad Doonesbury Firefly	Aesthetic
[58]	Royal Institute for Deaf and Blind Children. Official home page 2004. <http://www.ridbc.org.au/> (commentary)	Selective animation Icons Symbols Menus Methodology --- Garnier Fructis In The Changing Room Poems That Go Archives	Efferent
[59]	Sanford, C. S., Strasser, R. and Water. ~water ~water ~water~, 1999 <http://workxspace.de/water/> (commentary) (Nottingham Now and DA2 as commissioners and trAce as supporter)	Modest Graphics Embedded Menus --- Lexia to Perplexia Patchwork Girl Reagan Library --- montage	Aesthetic
[60]	Saturn, Official home page 2004 <http://www.saturn.com/saturn/showroom/ion/sedan/index.jsp?nav=100>(commentary)	Selective animation Graphic portions Maps Menus Connotative --- Earthtrends Garnier Fructis Garnier Fructis The Rainbow Factory	Efferent
[61]	Strickland, S. The Ballad of Sand and Harry Soot. 1999. In Word Circuits Gallery <http://www.wordcircuits.com/gallery/sandSoot/ > (commentary)	Nondistinguished Graphics Symbols Texts Sparse Multiple --- Afterimage Lexia to Perplexia Penetration True North	Aesthetic
[62]	Strickland, S. True North. Watertown, MA: Eastgate Systems, 1997. (commentary)	Texts Maps --- Lexia to Perplexia Penetration Storyspace True North	Aesthetic
[63]	The Right One. Web advertisement <http://www.therightone.com/> (commentary) (Note: advertisement was on Yahoo 01/04/04.)	Business popups Doonesbury	Efferent
[64]	Trudeau, G. Doonesbury@Slate. 2004. <http://www.doonesbury.com> (commentary)	Animated Selective animation Striking Menus Denotative Layer --- Adaptive Path Business popups Cooperstown I'm Simply Saying	Efferent
[65]	USA TODAY, Official Home Page. 2004. <http://www.usatoday.com> (commentary)	Nondistinguished Icons Dense navigation Inconsistent --- A List Apart Bankrate BBC Business popups: distraction	Efferent
[66]	What We Will. Broadband Interactive Drama, 2001. <http://www.z360.com/what/> (commentary)	Selective animation Maps Connotative Single Methodology --- Afterimage Doonesbury Ferris Wheels Pax Reagan Library War Games--Catch the LandMine!! --- anchor thoughts	Aesthetic
[67]	Whitney Museum of American Art. Idea Line. <http://www.whitney.org/artport/commissions/idealine/> (commentary)	Selective animation Denotative Single Methodology --- Cooperstown Earthtrends Poems That Go Archive Saturn	Efferent
[68]	Wikipedia, the free encyclopedia. Official home page, 2004. <http://en.wikipedia.org/> (commentary)	Embedded Dense content --- A List Apart PeopleSoft The Unknown	Efferent

Secondary

B/C/ D/ E/F/ G/H/I/ L/M/N/O/ P/Q/R/S/ T/U/V/W/Z

Number Citation Index

[69] Bernstein, M. "Link Types: a Second Look." Hypertext Now. undated <http://www.eastgate.com/HypertextNow/archives/Trigg.html> Taxonomic
---
Bankrate
BBC

[70] Bernstein, M. "Patterns of Hypertext." Proceedings of Hypertext '98 <http://www.eastgate.com/patterns/Print.html> Lexia to Perplexia
---
montage

[71] Bernstein, M. Structural Patterns and Hypertext Rhetoric. ACM Computing Surveys. December 1999. <http://www.cs.brown.edu/memex/ACM_HypertextTestbed/papers/45.html> Maps

[72] Bobby, an accessibility web checker, Watchfire, 2004 <http://bobby.watchfire.com/bobby/html/en/index.jsp> Texts
Connotative

[73] Bolter, J. "Sampling the Jukebox." Riding the Meridian. 2000. <http://califia.hispeed.com/Jumpin/bolter.htm> Reach
---
node

[74] Bolter, J. Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum, 1991. Location

[75] Burbules, N. "Rhetorics of the Web: Hyperreading and Critical Theory." Page to Screen: Taking Literacy into the Electronic Era. Ed. I. Snyder. London: Routledge, 1998. 102-122.

[76] Burks, A. W. “Icon, Index, and Symbol.” Philosophy and Phenomenological Research 9.4 (June 1949): 673-689. JSTOR.

[77] Bush, V. "As We May Think." Atlantic Monthly. July 1945 <http://www.theatlantic.com/unbound/flashbks/computer/bushf.htm> Taxonomic

[78] Champion, S. and Veen., J. The Jakob Nielsen Drinking Game <http://www.rc3.org/clips/nielsen_drinking_game.html> drinking

[79] Chandler, D. Semiotics for Beginners. 28 Mar. 2002. <http://www.aber.ac.uk/media/Documents/S4B/sem06.html> Connotative
Denotative

[80] Codonet, P. “Ancient Images and New Technologies: The Semiotics of the Web.” Leonardo 35.1 . 2002. Academic Search Elite. EBSCOhost.

[81] Communications Arts. 2002. Originally in September/October 2002 Purchase Issue.
<http://www.commarts.com/ca/interactive/cai02/> Cooperstown
Earthtrends
Hummer

[82] Does Internet Advertising Work? Apples for Health. 7 Jan. 2000. http://www.applesforhealth.com/interadv1.html Business popups
---
eye

[83]
Eco, U. A Theory of Semiotics. Bloomington: Indiana UP, 1979.

[84] ** Electronic Literature Directory. 2004. <http://www.eliterature.org/dir/> Methodology

[85]
Esdaile, S. "The Net.Wurk Series:: _][ad][Dressed in a Skin C.ode_ MEZ (Mary-Anne Breeze)." Fine Art Forum <http://www.msstate.edu/Fineart_Online/Backissues/Vol_16/faf_v16_n04/text/mez.html> 2002.

_][ad][Dressed in a Skin C.ode

[86] Fink, N. "Inspiration vs. Theft: The Thin Gray Line." Digital WebMagazine. 29 Sept. 1999 http://www.digital-web.com/features/feature_1999-9.shtml#5 ---
trend

[87] Flanders, V. WebPagesThatSuck.com <http://www.webpagesthatsuck.com/mysterymeatnavigation.html> Nondistinguished
Methodology
---
brandchannel
Fuddruckers
Royal Institute for Deaf and Blind Children
---
mystery meat

[88] Future Now. "The Eyes Have It." Grokdotcom.com. 2001. <http://www.grokdotcom.com/index9-01-01.htm> Location

[89] Gunder, A. "Aspects of Linkology: A Method for the Description of Links and Linking." CyberText Yearbook, 2001. M. Eskelinen & R. Koskimaa (eds.) Research Centre for Contemporary Culture. University of Jyvaskyla, Finland. Taxonomic
Definition
---
Kidbuilding

[90]
Harpold, T. “The Contingencies of the Hypertext Link.” Writing on the Edge 2 (1991): 126-39.

[91] Hayles, N. K. Writing Machines. Cambridge: MIT Press, 2002. Inconsistent
---
Lexia to Perplexia

[92] Internet FAQ Archives: Online Education. "Intertwingled." <http://www.faqs.org/docs/jargon/I/intertwingled.html>
intertwingled

[93] Khan, K and Locatis, C. "Searching through Cyberspace: The Effects of Link Display and Link Density on Information Retrieval from Hypertext on the World Wide Web."   Journal of American Society for Information Science 49.2 (1998): 176-182. Density
Sparse
---
study

[94] Landow, G. P. “The Rhetoric of Hypermedia: Some Rules for Writers.” Hypermedia and Literary Studies. Eds. P. Delany and G. P. Landow. Cambridge, MA: MIT P, 1995. 81-103.

[95] Lewenstein, M. "A Deeper Probe Confirms Findings."   Poynteronline. 18 June 2003. <http://www.poynter.org/content/content_view.asp?id=38354> ---
eye

[96] Manovich, L . The Language of New Media. Massachusettes Institute of Technology. 2001. Icons

[97] McCue, A. "Eye Movement Tracking Technology Exposes Poor Web Design."   Silicon.com. 24 Nov. 2003. <http://www.silicon.com/networks/webwatch/0,39024667,39117046,00.htm> Menus
---
eye

[98] Nanard, J. and Nanard, M. "Should Anchors Be Typed Too? An Experiment with MacWeb." Proceedings ACM Hypertext '93. Seattle, WA, 1993. 51-62. Taxonomic
--
Bankrate
BBC

[99] Newman, J. "Eye Tracking on the Internet."   Cornell University, Human Computer Interaction Lab. 13 Dec. 2001. <http://www2.psych.cornell.edu/psych342/studentprojects/newman/jillnewman.html>

[100] Nielsen, J. "Change the Color of Visited Links." Alertbox, May 3, 2004 <http://www.useit.com/alertbox/20040503.html>

[101] Nielsen, J. "Introduction to Hypertext and Hypermedia." Tutorial, The Fifth ACM Conference on Hypertext. 1993 Density
---
anchor nielsen

[102] Nielsen, J. "Why Advertising Doesn't Work on the Web." Alertbox, September 1, 1997 <http://www.useit.com/alertbox/9709a.html> Business popups

[103] Nielsen, J. "Why No Graphics." About use it.com <http://www.useit.com/about/nographics.html> Icons

[104] Odin, J. K. "Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot." Iowa Review Web <http://www.uiowa.edu/~iareview/tirweb/feature/strickland/index.html#> Graphics
Multiple
---
The Ballad of Sand and Harry Soot

[105] Petersen, C.J. "Seven Steps To Easier Web Navigation." Enterprise Development Magazine, 2000 <http://www.smartisans.com/articles/web_navigation.aspx> Denotative

[106] Pierce, C. S. “from Letters to Lady Welby.” Critical Theory Since 1965. Eds. Hazard Adams and Leroy Searle. Tallahassee, FL: Florida State UP, 1986. 639-644.

[107] Pierce, C. S. Pierce on Signs. Ed. James Hoopes. Chapel Hill: U of North Carolina P, 1991.

[108] Queneau, R. Cent Mille Milliards de Poèmes. Paris: Gallimard 1961. Firefly
---
queneau

[109] Rosenberg, J. "The Structure of Hypertext Activity." Proceedings ACM Hypertext '96. Washington, D.C., 1996. 22-30. Function
---
node

[110] ** Rosenblatt, L. "Efferent and Aesthetic Reading." The Reader, The Text, The Poem: A Transactional Theory of the Literary Work. Carbondale: Southern Illinois UP, 1978. 22-47. Methodology
---
reading forms

[111] Ryan, M. "Cyberspace, Cybertexts, Cybermaps." Dichtung Digital: Journal für Digitale Ästhetik. 2004. <http://www.dichtung-digital.org/2004/1-Ryan.htm> Map

[112] Shorewalker.com, "The Subtle Art of the Hyperlink, Part I." Lighthouse on the Web. 2001. <http://www.shorewalker.com/design/design50.html> Taxonomic

[113] Shorewalker.com, "The Subtle Art of the Hyperlink, Part II." Lighthouse on the Web. 2001. <http://www.shorewalker.com/design/design52.html> Taxonomic

[114] Snowman J., Biehler,R., and Bonk, C.J. Psychology Applied to Teaching Psychology Applied to Teaching (INSITE), Ninth Edition Suggestions for Teaching <http://college.hmco.com/education/snowman/psych_app/9e/students/course/suggestions/suggestions_08.html>

[115] Tan, A. Usability in Authoring Hyperfictions, 2003. <http://www30.brinkster.com/xebell/thesis/index.html> Denotative
Multiple
Single
---
Charmin' Cleary
High Crimson

[116] The Connection Muse. Word Circuits Gallery. 2000. <http://www.wordcircuits.com/connect/index.html> In The Changing Room
Penetration

[117] The Webby Business Awards 2003. <http://www.webbyawards.com/businessawards/finalists.html> Bankrate
brandchannel
IDEO
Kidbuilding
PeopleSoft

[118] Trigg, R. Chapter 4. "A Taxonomy of Link Types." A Network-Based Approach to Text Handling for the Online Scientific Community PhD. Dissertation, Department of Computer Science, University of Maryland. November 1983. <http://www.workpractice.com/trigg/thesis-chap4.html> Taxonomic
Metacommentary
---
Bankrate
BBC

[119] University of Wolverhampton, School of Information Computing and Technology. UK. The HTML Encyclopedia. <http://www.scit.wlv.ac.uk/encyc/blink.html> Striking

[120] Voytech. <http://www.voytech.com/index.htm> Business popups

[121] W3C. "Hypertext Terms." World Wide Web Consortium. April 1995. <http://www.w3.org/Terms> Definition
---
def popup

[122] Walker, J. "Piecing Together and Tearing Apart: Finding the Story in afternoon, a story ." Proceedings ACM Hypertext '99, Darmstadt, Germany. February 1999. Nondistinguished
---
Afternoon

[123] WebCT 3.6, University of Tulsa. 2003
< http://www.is.utulsa.edu/services/webct/v3.0/faculty/designopt/reveal.html> Selective

[124] Welsh, T., Murphy, K., Duffy, T., and Goodrum, D. "Accessing Elaborations on Core Information in a Hypermedia Environment." Educational Technology Research & Development 41.2: 19-34. Definition

[125] Whitehead, J. "As We Do Write: Hyper-terms for Hypertext." Sigweb Newsletter 9.2-3 (2000): 8-18. Definition
---
node

[126] World's Best Websites accessed 2004. <http://www.worldbestwebsites.com/> Questacon

[127] Zbinden, K. Russian Formalism in 11 definitions, accessed 2004. <http://www.shef.ac.uk/k-zbinden/definits.htm> fabula

All links on this page were active as of May 24, 2004. This paper contains the relevant screen shots and quotes if the external sites are unavailable. Screenshots are used by permission and remain the property of the web owners.