hyakuin renga at Yorkshire Sculpture Park UK

 noon-noon 21-22 June 2004

CAMELLIA HOUSE

Paul Conneally Anne-Marie Culhane Alec Finlay Linda France Morven Gregor Jackie Hardy Alex Hodby Gerry Loose Beth Rowson

 

The floor’s a place
for an outdoor feast,
food in a basket



a quick rub with a dock leaf
and all is well



yesterday’s moon
still shining in the bowl
of her throat



upside down
pores not gills



too large for the pond
the carp circling
only one way



the shadows beneath
her eyes grow darker



a tongue wags in with
in that dress
you’d expect nothing less



the small boys pee a row
of zeros in the snow



urged on
the vicar steps
off the church tower



goosewing
into the harbour



oiled
cormorant
can never be cleaned



the shop assistant eyes up
stains on his jacket



dark archipelagos
and outlined islands
where they may go



the honeymoon, paid for
by his parents



you’re always beautiful
muttered
to the daisies



they bury the lamb
in the half–light



spring’s broken,
she shakes the watch
against her ear



another spaceship enters
the orbit of the moon



radios crackle
as an electric storm
kicks in



bake the pears whole
in sugar and red wine



the burn is brackish
a race of rust
and shed wool



his beard unstuck
we recognise Santa Claus



lost in the woods
Hänsel and Gretel
could only eat gingerbread



growing up fast
she slams the door



in the face of it
the waiter rolls
the dragon’s eyes



looking down
stairs can be dangerous



the elixir’s made
of coltsfoot wrapped in
butterbur leaves



untie the ribbons
on the Maypole



making for the open
two hares chase
across the down



we stagger home
for the love of Bowmore



sandy toed
shoes on our heads
wading tidal flats



spun, spun, spun
into a waltzer kiss



a line of light
traced onto sky
my head aches



on the long flight east
two orange dawns



these fried peaches
are they breakfast
or last night’s tea?



first win of the season
we follow the moon



cry of an owl
circling
whose hunting who?



in the dark
we almost felt the same



the differences
between our bodies
get less with age



despite the bleeps
we talk over everything



fuck this!
fuck that!
is all the walls say



the new school
ringed by a six foot fence



we catch flies
for the biology teacher’s
flesh eating plants



popcorn spills over
at the late night double bill



wiping off
her make-up
on the last bus



if you sit still long enough
you can watch the flowers open



in the birthing pool
the baby slips out
from liquid to liquid



my ears pop as we enter
the channel tunnel



for the love of country
I fled
and now you send me back?


a birthday present
she keeps the receipt



locked in a drawer,
an amulet,
a loaded gun



arms raised for St Jerome
the blood bubbles



across the land
wells spring
spreading black poison



nightshade
cut with a scythe



the charcoal burners camp
in the middle
of Oak Wood



a twist of smoke
plies through the mist



at the crater’s edge
disturbed by feet
a pebble dances down



she fell in love
with her psychoanalyst



together on a couch
a woman
and her cat



fingers in a bowl
of tormentil



a whole childhood
along ditches
of frogspawn



my nose led by
smells of wild garlic



walking to the souk
for lemons
and a heel of ginger



the bitterness wears off
as time goes by



an undertaker
practices his tuba
in the moonlight



first hint of frost
cracks the gardener’s resolve



the whole street’s washing
sooted up
by Mr. Smith’s bonfire



even the blue ribbon
has turned to ashes



shouldn’t it be gold
that is found
at the end of the rainbow?



spiral notebooks and other
tiny packaged objects



what can I say,
mice have been at the
snowdrop bulbs again


up and up
through the dead leaves



still sitting
the swan beaks
her massive nest



from the bank cows watch
a narrowboat pass



which is the river?
which is a canal?
and which the sea?



we sail them all anyway
in search of Tir na nOg



the High Possil’s hat
could only
suit you


what is he to think
all those hearts on her sleeve?



Lady Murasaki
elegantly dabs
a welling tear



everyone wants to be
a workie at breakfast



pull up the blinds
and the moon will shine
on buttered toast



the train’s delayed
by the wrong sort of mist



under a beech
the sheep gather
in closed circles



she clings to his back
as they cross the river



you see turquoise
behind your eyes
when he touches like that



the ice cap
stops melting



Scott crossed out
the word ‘wife’
and wrote ‘widow’



the auctioneer’s hammer
comes down with a bang



fourteen cock pheasants
go rocketing
over the hedge



in her buttonhole
a speckled feather



up before dawn
to the meadows
mushrooming alone



he breathes out,
it’s only the moon



willow leaves
float onto and under
the old bridge



our log pile shifts
a yowl from the vixen



the smudge of scarlet
through glass you know
is Japanese quince


painting outdoors
a delight of warmer days



it takes more time
to hide decorated eggs
in their small garden



the Buddha’s topknot
lifts him to the light



helicopter blades
whirl incessantly
overhead



poets shift
closer to the ground.

 

 

 

 

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