[34]
Larsen, D. Ferris Wheels . 1999 <http://www.uiowa.edu/%7Eiareview/tirweb/hypermedia/deena_larsen/index.htm> (aesthetic) |
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Ferris Wheels provides several entryways for the same content. The work has two site maps for the same sixteen nodes: a graphical interface showing the episodic location of the fabula, and a text interface which is a metapoem composed of the names of the nodes. The map provides locations for the plot happenings--what is going on in the narrator's mind, which does not necessarily combine with where the couple are on the ferris wheel when the narrator is cogitating on that point. Where What We Will [66]uses a single anchor to show the action during various points of the day, Ferris Wheels uses a series of the same graphic to show the action during the Ferris Wheels ride. AfterImage's [7] month menu accomplishes something similar: a mapping of anchors to time sequence.
Like The Pines at Walden Pond
[39] and Sand Loves [38], Ferris
Wheels uses a map on each node that highlights the position of the node
in the overall structure of the work. This poem is meant to be read either clockwise or from the center out (turn forever, turn against tides, etc):
Back and forth navigation
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