Marble Springs uses a connecting
series of anchors (iconic, graphic, and text) to explore connections between
women in a small mining and ranching town in the Colorado Rockies between
1853 and 1935.
Maps
Three maps (the valley, town, and graveyard) show physical locations of the denizens
of Marble Springs. The house anchors either go directly to the character
or connection card or provide a choice of characters who live in the house.
Screenshot used by permission.
The location and epitaphs on the graves provide vital and
tantalizing clues about the denizens:
Screenshot used by permission.
Embedded text
Character cards provide a short poem about the character, along with biographical
information in the title, margins for readers to scribble in, and bibliographic
references to historical sources. The embedded text links are highlighted
thematic connotative connections
to other characters or go to popups for more information.
Screenshot used by permission.
Note that the anchors do not
differentiate between explanatory popups and embedded text connections.
Screenshot used by permission.
Graphics
Like BBC [4] each graphic
also functions as an anchor. Where the BBC graphic anchors echo the text,
Marble Springs anchors serve as hidden doorways to subconscious connections
to other characters. This is covertly similar to the anchoral tactics
used in 25 Ways to Close a Photograph
[41].
Icons
Marble Springs uses an iconic menu on the left side to show
various navigational and interaction possibilities:
- The eye icon provides a directory of denizens: a denotative
list of names and titles
- The compass opens the map series
- The questions provide directions on reading and writing
to the work
- Stop quits the reading
- Next and previous hands direct readers to cards that
are next and previous in the stack
- The down hand directs readers back to the previously
read card: a homoanchoral anchor.
that takes the place of the back button on a web browser. (note that
this work was created before web browsers).
- The skeleton key icon opens
a series of connection cards. Each character has a corresponding connection
card with anchors that depict and connect to her circle of acquaintances,
lovers, friends, and enemies. Relations are depicted with patterned
lines. Institutions such as Cole's Mercantile also have connection cards
depicting who visits the place.
Screenshot used by permission.
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